Exhibition Introduction and Art Critique“A Parte AZ 20” immediately captivates its audience, thrusting them into a hyperrealistic future where technology has become not only a tool but an essential part of identity and control. The luminous surroundings, stark in their sterile cleanliness, contribute to a feeling of detachment, where the human and machine merge to create a narrative around power, artificiality, and the roles these technologies play in shaping society. In this piece, AZAD explores what it means to be human in a world that increasingly embraces synthetic identities, asking whether we control our creations or whether they control us.The figure in the center represents authority—he is the operator, seated at a control station, seemingly orchestrating the events of this digital world. The coldness of his expression, his focused gaze, and the presence of the other figures behind him suggest a hierarchical structure where he is in command, while the others—the synthetic women and the looming robotic entity—are either assistants or extensions of his power. Their unblinking stillness, combined with the reflective surfaces of their bodies, removes any sense of individuality. They are objects, potentially programmable entities, created to serve or complement the desires of the central figure. This idea of control, mastery, and the power to create synthetic life is central to the work’s thematic exploration. Influence and Technique: A Comparison to 20th-Century Masters“A Parte AZ 20” recalls the experimental nature of 20th-century surrealism and photography, where artists like Man Ray, Max Ernst, and Hans Bellmer used avant-garde techniques to explore identity, control, and the human form in ways that challenged societal norms.Man Ray, a pioneer in surrealist photography, often played with light and form, presenting objects in such a way that they became almost dream-like, separated from their original contexts. His use of photographic manipulation to present the human body as both a subject and object of desire is mirrored in AZAD’s work. The figures in “A Parte AZ 20” reflect the same detachment and objectification. Like Man Ray’s portraits of women that often blended surrealism with eroticism, AZAD’s synthetic women are presented as sleek, controlled, and almost devoid of individual character, evoking the fetishization of the artificial.Hans Bellmer, known for his doll-like sculptures and photographs, took objectification even further, presenting distorted human forms that questioned the nature of control, submission, and identity. Bellmer’s unsettling figures, often women posed as lifeless dolls, can be seen in the detached, controlled bodies of the female figures in AZAD’s work. The glossy, mannequin-like forms in “A Parte AZ 20” evoke Bellmer’s dehumanized subjects, exploring the consequences of turning the human form into a commodity, a creation to be manipulated, perfected, or used.Max Ernst, with his exploration of the subconscious and surreal juxtapositions, also finds resonance in this work. The mechanical precision and artificiality of AZAD’s figures seem to echo Ernst’s exploration of mechanized human life, where figures are no longer entirely human but products of an industrial or scientific process. “A Parte AZ 20” similarly evokes a sense of distance between humanity and naturalism, creating a new world where life itself is manufactured.The clinical, futuristic light that washes over the scene recalls the cold, otherworldly lighting used by Brassai in his explorations of nocturnal urban life. This light suggests that we are in an artificial space—one that mirrors the sterile environments of laboratories or high-tech control centers—devoid of natural warmth or emotional connection. It places us in a hypermodern setting where the individuals are separated from any organic world. The Meaning and Message of “A Parte AZ 20”At its heart, “A Parte AZ 20” is a reflection on the rise of artificial intelligence, technology’s role in shaping identity, and the ethical questions surrounding power and control in an increasingly mechanized society. The central figure—seated at his control station—represents humanity’s desire to dominate, to create, and to manipulate. Yet, his cold detachment raises questions: Has he lost his own humanity in this pursuit of power? Are the figures behind him creations of his intellect, or are they projections of a future where individuality and organic emotion are lost to the rise of synthetic life?The two synthetic women, standing on either side of the central figure, further complicate the narrative. Their sleek, perfect bodies reflect society’s obsession with physical perfection, while their stillness suggests that they have been rendered passive by technology. They could be viewed as objects of desire—an extension of the male gaze in the digital world—or as mere assistants, devoid of personal agency. This raises questions about gender, objectification, and the potential dangers of reducing individuals—particularly women—to programmable entities in the age of artificial intelligence.The robotic figure in the background looms as a reminder of technology’s ever-present influence. Is it a guardian, protecting the central figure, or is it an extension of his own power? Its glowing, imposing figure seems to overshadow the scene, suggesting that while humans may believe they control technology, there is always the question of whether it will eventually eclipse and control them.The sterile, futuristic setting hints at the loss of emotional depth in a world consumed by digital progress. The blue-white light, reflective surfaces, and minimalistic surroundings suggest a society focused on perfection and efficiency at the expense of human warmth and connection. The central figure, seated in front of his console, is the epitome of control, yet he appears entirely disconnected from the world around him. AZAD 777781: The Artist and His VisionAZAD 777781 is a digital artist whose work pushes the boundaries of modern artistic expression, delving into the deep philosophical questions of what it means to be human in a world increasingly shaped by technology and artificial intelligence. Internationally known for his ability to evoke powerful emotional and intellectual responses through his digital compositions, AZAD explores themes of fear, obsession, and the nightmares of modern society.Through his innovative digital techniques, AZAD creates worlds that are both familiar and unsettling—futuristic landscapes where human figures are often juxtaposed with machines, highlighting the tension between human emotion and technological progress. His work in the “A Parte” collection is a reflection of his ongoing exploration of the duality between organic life and artificial creation, questioning the limits of control, individuality, and the consequences of our reliance on technology.In “A Parte AZ 20,” AZAD’s figurative expressionism shines through as he blurs the lines between human and machine, creating a narrative that speaks to the future of humanity and its relationship with technology. His ability to evoke a sense of cold detachment while simultaneously raising important ethical and philosophical questions is a testament to his skill as a storyteller through art. Artistic Criticism: Materialism, Power, and PhilosophyAt its core, “A Parte AZ 20” explores the themes of materialism, control, and the philosophical dilemmas surrounding the rise of artificial intelligence and its impact on human identity. The central figure, poised at his console, embodies the idea of absolute control—over technology, over others, and perhaps even over himself. Yet, the emotionless, mechanical nature of the figures behind him raises questions about whether this control comes at the cost of his own humanity.The work is also a reflection on society’s obsession with perfection, particularly in the ways in which technology is used to enhance or create idealized forms. The synthetic women, with their flawless appearance and stillness, suggest a world where femininity is objectified, turned into a commodity for the pleasure or use of others. Their presence raises questions about the ethical implications of using technology to shape human identity and whether, in doing so, we lose something essential about ourselves.The philosophical undertones of the work also speak to the idea of real life versus artificial life, asking viewers to consider whether the pursuit of technological progress ultimately distances us from the emotional and spiritual experiences that define our humanity. Conclusion: Innovation and the Future of Digital Art“A Parte AZ 20” by AZAD 777781 is a masterpiece of digital expressionism, blending hyperrealistic visuals with deep philosophical questions about the role of technology, identity, and control in the modern world. Through his use of digital mixed media, AZAD creates a world that feels both futuristic and immediate, challenging viewers to consider their own relationship with technology and its impact on their lives.The sterile, clinical setting of the artwork, combined with its detached, synthetic figures, invites viewers to confront the potential dangers of a world where emotion and individuality are sacrificed in the pursuit of progress. At the same time, it offers a powerful reflection on the human desire for control, perfection, and mastery over the world around us.In this way, AZAD continues to push the boundaries of digital art, creating works that not only inspire the imagination but also provoke important conversations about the future of humanity. “A Parte AZ 20” is not just a work of art—it is a vision of what the future may hold, and a reminder that the choices we make today will shape the world we live in tomorrow.
